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汉画雷神图像研究

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雷神作为中国最早的气象神崇拜之一,经历了从"兽"向"神"、从自然神灵逐渐转变具有复杂社会职能的人格神灵的变化过程,由神话学转为宗教学.至汉代,雷神具备了纯粹的人格化特征,且雷神信仰在汉代特殊的神仙语境下有了仙化的倾向.汉画雷神图像存在复合兽形、半人半兽形和人形这几种外形并行存在的现象.其图像构成及表现形式均呈现出由单一走向复杂、综合的趋势,雷神成为图像中的主要叙事元素,空间结构的处理方式也愈发灵活,在继承楚文化浪漫主义特点的同时,又秉承着汉代艺术的古拙、雄浑的艺术色彩.通过分析汉画雷神图像的艺术特征,从艺术学角度探究民族艺术创作的价值及审美取向,从背后蕴含的精神信仰、社会信俗和理念内涵探究汉代独特的民族文化心理、世界观.
On the Han Dynasty Painting of Thor Image Research
As one of the earliest meteorological gods worship in China,Thor experienced a change process from"beast"to"god",from natural gods to personality gods with complex social functions,from mythology to religion.By the Han Dynasty,Thor had the purely personal characteristics,and the belief in Thor had the tendency to be immortal in the special immortal context of the Han Dynasty.There exist several parallel phenomena in the image of thor in Han painting,such as compound animal form,half-hu-man half-animal form and human form.Its image composition and form of expression show a trend from single to complex and comprehensive,Thor has become the main narrative element in the image,and the processing of spatial structure has become more flexible.While inheriting the romantic characteristics of Chu culture,it also inherits the primitive and vigorous artistic color of Han Dynasty art.Through the analysis of the artistic characteristics of Han painting Thor image,the author explores the value and aesthetic orienta-tion of national art creation from the perspective of art,and probes into the unique national cultural psy-chology and world outlook of Han Dynasty from the spiritual belief,social belief and concept connotation behind it.

Han Dynasty paintingGod of Thunderreligionartistic characteristicscultural connota-tion

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东南大学艺术学院 江苏·南京 210096

汉画 雷神 宗教 艺术特征 文化内涵

2024

宿州教育学院学报
宿州教育学院

宿州教育学院学报

影响因子:0.214
ISSN:1009-8534
年,卷(期):2024.27(3)