首页|盘桓、自证、勘破——贡性之诗作的三重境探颐

盘桓、自证、勘破——贡性之诗作的三重境探颐

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宣城贡性之因诗画名扬于世,其诗作以自然澄怀观道,勘破诗与画的互证交融,从而在家族文脉中凸显出来,于残山剩水中构建起自身诗画体证的格局,将易代之悲转换为融入诗画的人生旨趣。为再现宣城遗民诗人之"遗珠",完善入明遗民诗人群体研究,遂以盘桓、自证、勘破三境,以析其漫漫心路。
Lingering,Self-proof and Exploration:Three-prong Exploration of the Poetry of Tribute
Xuancheng Gong xingzhi is famous for his poems and paintings.His poems use nature to clear the mind and view the Tao,explore the mutual evidence and blend of poetry and painting,thus breaking through in the family context,constructing his own pattern of poetry and painting in the rem-nants of the water,and transforming the sorrow of easy to replace into the life purview of integrating po-etry and painting.In order to reproduce the"beads"of Xuancheng poets left behind and perfect the study of Ming poets left behind,this paper analyzes the long road of his heart by taking a long time,self-prov-ing and exploring.

tributeSouth Lake Collectionstay for a whileself-evidenceexploration and destruction

汪凌峰

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安徽开放大学文法与教育学院 安徽·合肥 230000

贡性之 《南湖集》 盘桓 自证 勘破

2024

宿州教育学院学报
宿州教育学院

宿州教育学院学报

影响因子:0.214
ISSN:1009-8534
年,卷(期):2024.27(5)