首页|"有我之境"在中国现代陶瓷雕塑艺术中

"有我之境"在中国现代陶瓷雕塑艺术中

The Realm of the Self in Chinese Modern Ceramic Sculpture Art

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陶瓷艺术在中国发展至今已经历经上千年,形成了具有地域特点的艺术风格和发展脉络.陶瓷作为中国传统创作材料的一种,在当下的艺术发展中已经不再拘泥于器皿和定式,焕发出了新的活力,甚至为中国当下雕塑艺术事业注入了新的营养,成为当下中国雕塑艺术家无法忽视的优秀表达手段.在中西方艺术文化资源频繁交流的今天,中国的陶瓷雕塑作品中仍保持着中国传统美学中特有的"意境"之美.在王国维先生的《人间词话》中提出的"有我之境"便可以很好的作为中国现代陶瓷雕塑艺术理解赏析的切入点,去研究体会中国现代陶瓷雕塑中的境界之美.
Ceramic art has been developed in China for thousands of years,forming an artistic style and development vein with regional characteristics.As a kind of traditional Chinese creative material,ceramics in the current art development is no longer confined to vessels and stereotypes,and has been revitalized,and even injected new nutrients for the cause of sculpture art in China nowadays,and has become an excellent means of expression that cannot be ignored by the Chinese sculpture artists nowadays.In the frequent exchange of Chinese and Western art and cultural resources today,China's ce-ramic sculpture is still maintained in the Chinese traditional aesthetics of the unique mood of beauty.In Mr.Wang Guowei's Words on Earth,the realm of me can be a good starting point for understanding and appreciating modern Chinese ceramic sculpture art,to study and experience the beauty of the realm of modern Chinese ceramic sculpture.

CeramicsSculpture artRealm of selfTraditional Chinese aesthetics

佐佳雪

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鲁迅美术学院 沈阳 110000

陶瓷 雕塑艺术 有我之境 中国传统美学

2024

陶瓷
咸阳陶瓷研究设计院

陶瓷

影响因子:0.192
ISSN:1002-2872
年,卷(期):2024.(2)
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