斑斓中彰显纯粹 繁花处开出沉静——读"中国瓷器缠枝纹装饰(元·明·清)"
In the Splendor of Pure Flowers out of the Quiet about Chinese Porcelain Wrapped Branches Decoration(Yuan·Ming·Qing)
陈冲1
作者信息
- 1. 浙江日报报业集团《江南游报》社宁波全媒体中心 浙江宁波 315046
- 折叠
摘要
缠枝纹或缠枝花是中国古代最常见最具意义和民族特色的装饰纹样之一,它被广泛运用于包括瓷器在内的各种器物的装饰之中.一般认为,缠枝纹出现于汉代,流行于魏晋南北朝,发展于唐宋,而大盛于元明清三代.《中国瓷器缠枝纹装饰(元·明·清)》三卷书稿,聚焦缠枝纹大盛的元、明、清三代,总结出中国瓷器缠枝纹发展的历史脉络和风格演变.这套丛书在诸多细节问题和个别案例的艺术特质分析上相当深入,是一部具有开拓性质且具有相当理论视野和深度的学术著作,读者将由此获得见仁见智的审美判断和审美体验.
Abstract
Twig or twig flower is one of the most common and significant decorative patterns with national characteristics in ancient China,which is widely used in the decoration of various utensils,including porcelain.It is generally believed that the intertwining branch pattern appeared in the Han Dynasty,popular in the Wei,Jin,Southern and northern dynasties,devel-oped in the Tang and Song dynasties,and flourished in the Yuan,Ming and Qing dynasties.The three-volume manuscript of Chinese Porcelain Twig Pattern Decoration(Yuan,Ming and Qing)focuses on the three generations of Yuan,Ming and Qing Dynasty,and summarizes the historical context and style evolution of the development of Chinese porcelain twig pat-tern.This series of books in many details and individual cases of artistic characteristics of in-depth analysis,is a pioneering nature with considerable theoretical vision and depth of academic works,readers will be able to obtain the aesthetic judg-ment and aesthetic experience.
关键词
瓷/缠枝纹/纹样/文化Key words
Porcelain/Entangled branch grain/Patterns/Culture引用本文复制引用
基金项目
宁波职业技术学院国家级科研项目培育课题(NZ22GJ009)
出版年
2024
国家科技期刊平台
NSTL
万方数据