首页|关于中国传统釉色命名中美学韵味的探究

关于中国传统釉色命名中美学韵味的探究

Research on the Aesthetic Charm of Chinese Traditional Glaze Color Naming

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"胎釉"为瓷之基本,而胎为釉之肌骨,釉为胎之皮肉;胎承釉,釉附胎.从最初的原始青釉再到纷繁艳丽的颜色釉、花釉,釉在中国陶瓷艺术发展过程中具有极强的装饰意味,而在釉色不断的演变、丰富人们的视觉体验的同时,也不断出现各种釉色名称,其命名不论是承接中国传统颜色或是根据不同的意象类比命名,这些千绪万端的釉色名称都成为了陶瓷领域中一道独特的文化景观.如今人们更多注意釉色本身表现,仅仅将其名称作为分辨釉色的标签和代指手段,而忽略了其中蕴含的美学价值和人文诗意.笔者试图从釉色分类、命名方式来阐析其蕴含的文学艺术性,客观地评价其艺术价值.
Ceramic body and glaze is the basic of ceramic,and the ceramic body is the bone of the glaze,the glaze is the skin of the ceramic body.ceramic body bearing glaze,glaze attached ceramic body.From the original blue glazeto the colorful glaze,floral glaze,glaze in the development process of Chinese ceramic art has a strong decorative meaning,and in the con-tinuousevolution of glaze color,enrich people's visual experience at the same time,there are also a variety of glaze color names,whether it is to follow the traditional Chinese color or according to different image analogies named,These thou-sands of threads of enamel life have become a unique culturallandscape in the field of ceramics.Nowadays,people pay more attention to theglaze itself,and only use its name as a label and means to distinguish theglaze color,while ignoring the aes-thetic value and literati poetry containedin it.This paper attempts to explain the literary artistry of enamel colorfrom its classification and naming,and objectively evaluate its artistic value.

Glaze nameColorImagePoetryAesthetic value

瞿世苓

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景德镇陶瓷大学 江西景德镇 333403

釉名 色彩 意象 诗意 美学价值

2024

陶瓷
咸阳陶瓷研究设计院

陶瓷

影响因子:0.192
ISSN:1002-2872
年,卷(期):2024.(5)
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