陶瓷绘画中青花纹样的人文精神——以元明青花为例
The Humanistic Spirit of Blue and White Pattern in Ceramic Painting——Taking Blue and White in Yuan and Ming Dynasty as an Example
刘丽萍1
作者信息
- 1. 景德镇陶瓷大学 江西景德镇 333000
- 折叠
摘要
从古至今,陶瓷绘画始终贯串在人文生活中,并有它专属的语言.瓷画具有光滑、剔透、洁白等特点,是在瓷器上绘画创作,运用一些专属的陶瓷材料在其绘画,经过高温烧制而成.在陶瓷绘画中有它的绘画语言,有着属于它想要展现的情怀和人文精神.笔者通过抓住了瓷画中的绘画语言,以青花瓷为研究对象,探究青花纹样中那富有故事情节的人文精神,解析其精妙绝伦的美学呈现和独有的表达形式.
Abstract
Since ancient times,ceramic painting has always been carried out in human life,and has its own language.Porce-lain painting has the characteristics of smooth,clear,white and so on,is painted on porcelain creation,the use of some ex-clusive ceramic materials in its painting,after high temperature firing.In ceramic painting,there is its painting language,which belongs to the feelings and humanistic spirit it wants to show.This paper captures the painting language in porcelain painting,takes blue and white porcelain as the research object,explores the humanistic spirit rich in story plot in blue and white pattern,analyzes its exquisite aesthetic presentation and unique expression form.
关键词
青花纹饰/人文精神/陶瓷绘画/元明青花Key words
Blue and white decoration/Humanistic spirit/Ceramic painting/Yuan and Ming blue and white引用本文复制引用
出版年
2024
国家科技期刊平台
NSTL
万方数据