首页|绘塑融合:北京故宫博物院藏宜兴紫砂本色堆绘装饰初探

绘塑融合:北京故宫博物院藏宜兴紫砂本色堆绘装饰初探

Fusion of Painting and Sculpture:A Preliminary Exploration of Zisha Plain-Color Stacked Painting Decoration in the Palace Museum Collection

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北京故宫博物院藏宜兴紫砂器物中的本色堆绘装饰以泥为墨,以笔为媒、由远及近,将平面洗染与浮雕堆塑相融合,既有浅浮雕堆塑的层次感又兼具绘画的生动性,将视觉审美与触觉体验融为一体,在富丽精致的宫廷紫砂中开创了别具一格的装饰面貌.新时期,宜兴紫砂本色堆绘应从装饰题材、装饰工艺入手,古为今用,在提升绘塑融合表现力的同时实现装饰内容的丰富性.
The plain-color stacked painting decoration on Zisha ware in the Palace Museum Collection uses mud as ink and a brush as the medium,applying wash painting techniques from far to near,combining flat wash painting with shallow re-lief sculpture.It not only has the sense of hierarchy of shallow relief sculpture but also the vividness of painting,integrating visual aesthetics with tactile experience.It has created a unique decorative style in the rich and exquisite palace Zisha ware.Influenced by this,contemporary Zisha plain-color stacked painting should start from the decoration themes and decora-tion techniques,make use of the past for the present,and thus enhance the artistic richness and practical significance of the expression of the fusion of painting and sculpture.

Zisha mud paintingPlain-color stacked paintingFusion of Painting and Sculpture

宁丽娟、顾峥嵘

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景德镇陶瓷大学 江西 景德镇 333403

苏州大学 江苏 苏州 215123

紫砂泥绘 本色堆绘 绘塑融合

2024

陶瓷
咸阳陶瓷研究设计院

陶瓷

影响因子:0.192
ISSN:1002-2872
年,卷(期):2024.(10)