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试论陶瓷文化发展内核

On the Development Core of Ceramic Culture

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陶瓷文化发展路径是曲折的、是依附于历史兴衰的,"陶瓷文化"这个叫法在普遍意义上大众的理解来源于古董,来源于历史的积淀,宋时单色釉,元代二元配方,明代釉里红,清三代的多元生发,新时代的高原争雄,这其中的每一个单元都是经历百年变革的产物,此文所提的陶瓷文化是在获批非物质文化遗产传承技艺中的一系列流程.是一个在历史中坚强站立着的勇士,它逐渐脱离的基础日用脱胎于陶瓷图案和纹样,它的民族性是毋庸置疑的,在一方连续中像是其他传统姊妹艺术一致,但又不同于它们.它是有着自己的发展内核的,是顺应时代的,然而又不像是传统意义上的大美术概念,服务于特定时期的特定意义.雕塑服务于神话,油画服务于宗教,版画服务于宣传,那么陶瓷之所以也能提及文化,那便不仅仅服务于吃饭喝茶了.
The development path of ceramic culture is tortuous and dependent on the rise and fall of history.The term"ce-ramic culture"is widely understood by the public as originating from antiques and historical accumulation.It includes mon-ochromatic glaze in the Song Dynasty,binary formula in the Yuan Dynasty,underglaze red in the Ming Dynasty,diverse development in the Qing Dynasty,and the plateau competition in the new era.Each of these units is a product of a century of transformation.The ceramic culture mentioned in this article is a series of processes in the process of obtaining approval for the inheritance of intangible cultural heritage.It is a brave warrior who has stood strong in history,gradually breaking away from the foundation of daily use derived from ceramic patterns and patterns.Its national identity is unquestionable,consistent with other traditional sister arts in one continuity,but different from them.It has its own development core and is in line with the times,but it is not like a traditional concept of great art,serving a specific meaning of a specific period.Sculpture serves mythology,oil painting serves religion,and printmaking serves propaganda.Therefore,the reason why ceramics can also mention culture is not only for eating and drinking tea.

Arts and CraftsCeramic cultureArt coreCeramics

吴清江、邓紫萱

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余江美术馆 江西 鹰潭 335400

工艺美术 陶瓷文化 艺术内核 陶瓷

2024

陶瓷
咸阳陶瓷研究设计院

陶瓷

影响因子:0.192
ISSN:1002-2872
年,卷(期):2024.(10)