论明清官窑青花瓷图像的三重释义——以二维程式化植物纹为例
Triple Interpretations of Blue and White Porcelain Images of Official Kilns in Ming and Qing Dynasties—Two-dimensional Stylized Plant Pattern
余佳祯 1方兰轩 1张亚林1
作者信息
- 1. 景德镇陶瓷大学 江西 景德镇 333403
- 折叠
摘要
明清官窑青花瓷的植物纹饰具有强烈的二维程式化特征,运用欧文·潘诺夫斯基的图像学理论,从前图像志分析、图像志分析,以及图像学释义三个层次进行深入研究和探索.引用母题、象征等图像学概念,完整论述官窑青花瓷植物纹饰所包含的图像学释义.
Abstract
The plant patterns in Ming Dynasty official kiln blue and white porcelain have strong two-dimensional programmatic characteristics.Using Erwin Panofsky's image theory,in-depth study and exploration are conducted from three levels:pre-iconographic,iconography and iconology.By citing the imagery concepts such as motifs and symbols,the imagery interpretation contained in the plant patterns in the blue and white porcelain of official kilns were comprehensively discussed.
关键词
图像学/官窑/青花瓷/植物纹/象征/母题Key words
iconography/official kiln/blue and white porcelain/plant pattern/symbol/motif引用本文复制引用
基金项目
2020年度江西省文化艺术科学规划项目(YG2020090)
出版年
2024
国家科技期刊平台
NSTL
万方数据