首页|故宫藏"奇石宝鼎之珍"款"西厢"浅碗的设计逻辑与消费者身份探讨

故宫藏"奇石宝鼎之珍"款"西厢"浅碗的设计逻辑与消费者身份探讨

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通过解析故宫藏清康熙"奇石宝鼎之珍"款"西厢"浅碗暗含着吉祥文化的设计逻辑,瓷画设计者利用谐音、"逆顶点"等的叙事模式,建构了福禄、颐养与韵情、圆满的情景语境及其内蕴的吉祥文化语义;同时结合同期风格相似的"西厢瓷"推测,该系列浅碗应为以往研究中较少提及的士人所有,故进一步探究造成这种现象的原因,并一一辨析,从而说明文士何以可能消费"西厢瓷"及其消费动机.从"西厢瓷"具体的设计方法入手透视"西厢瓷"的设计逻辑,观测陶瓷制作及其消费领域对《西厢记》的接受、利用和传播情况,同样的方法亦适用于其他媒介上的图像研究.
The Exploration on the Logic of Design and the Identity of Consumer about the Inscribed Blue and White"The Romance of the Western Chamber"Bowls and Marked with"奇石宝鼎之珍"
This paper analyzes the porcelain bowls which were decorated with"The Romance of the Western Chamber"and marked with"奇石宝鼎之珍"in Kangxi period imply the design of auspicious culture.The porcelain painter used the narrative mode of homophonic,"inverse vertex"and so on,constructing the scene of"salary and rank rise high","an easy and emotional charm life"and"a fulfilling life"context and the connotation of semantics about auspicious cultural.At the same time,combined with the similar style of the porcelains which were decorated with"The Romance of the Western Chamber".It guess that the series of porcelain bowls should be owed by the scholar who was absent in the previous research and analyze the reasons for the state of research like that.Then it will be proved that why the scholar can buy the porcelain vessels decorating with"The Romance of the Western Chamber"pattern and its motivation.From the specific method of design on porcelain vessels which were decorated with"The Romance of the Western Chamber",we can see the logic of design about it and the acceptance,utilization and dissemination of"The Romance of the Western Chamber"in the production and consumption field on porcelain.

the Romance of the Western Chamber on porcelainthe logic of designauspicious culturestatusmotivation

李琳、李砚祖

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景德镇陶瓷大学 江西景德镇 333403

广东工业大学 广东广州 510006

西厢瓷 设计逻辑 吉祥文化 身份 动机

国家社会科学基金艺术学重点项目

22AG012

2024

陶瓷学报
景德镇陶瓷学院

陶瓷学报

CSTPCD北大核心
影响因子:0.7
ISSN:1000-2278
年,卷(期):2024.45(4)
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