摘要
受众对于非遗微纪录片的感知强度排序依次是非遗技艺、非遗印象、非遗空间、非遗价值和非遗人物;受众通过观看微纪录片对非遗技艺、价值和人物精神产生高度的认同,也由此引发了受众对非遗技艺现状和发展的思考;受众对非遗微纪录片的情感倾向以积极情感和中性情感为主,而且表现出较强的情感体验和感官沉浸.
Abstract
The audience's perception intensity of the micro-documentary of intangible cultural heritage is ranked as follows:intangible heritage skills,intangible heritage impression,intangible heritage space,in-tangible heritage value,and intangible heritage figures.The audience has developed a high degree of iden-tification with the skills,value,and spirit of the people involved in intangible heritage through watching the micro-documentary,which also triggers the audience's reflection on the current status and develop-ment of intangible heritage skills.The emotional inclination of the audience towards the intangible cultural heritage micro-documentary is mainly positive and neutral emotions,showing strong emotional experience and sensory immersion.
基金项目
江西省高校人文社会科学研究项目(JC23234)
江西省社会科学"十三五"(2020年)基金项目(20XW13)
万方数据