唐长安佛教寺院布局影像研究——以敦煌莫高窟壁画中的钟楼、经楼为中心
Images of the Architectural Layout of the Chang'an Monastery In Tang Dynasty:Centred on the bell tower and scripture tower in the murals of the Mogao Grottoes
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作者信息
摘要
盛唐至五代敦煌莫高窟石窟的多处壁画中出现了钟、经楼,究其根本应是唐长安的寺院建造布局随着丝绸之路传播至敦煌所致.对长安寺院布局的文字描述及图案绘制使得佛教寺院样式得到广泛流传并逐渐形成了粉本,其影响体现在敦煌石窟壁画的画面结构及空间概念的建构上.
Abstract
The presence of bells and scripture tower in the murals of the Mogao Grottoes of Dunhuang from the Tang Dynasty to the Fifth Dynasty is due to the fact that the layout of temples built in Chang'an in the Tang Dynasty spread to Dunhuang along the Silk Road.The written descriptions and drawings of the temple layout in Chang an led to the wide spread of Buddhist temple styles and the gradual formation of Drawing samples,the influence of which is reflected in the structure of Dunhuang's mural paintings and the construction of spatial concepts.
关键词
钟楼/经楼/敦煌壁画/寺院布局Key words
Bell Tower/Scripture Tower/Mural Painting/Temple Layout引用本文复制引用
出版年
2024
NETL
NSTL
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