The study meticulously analyzes the fundamental knowledge structure of Sichuan Qingyin,a traditional Chinese art form,encompassing both its macroscopic aspects as an intangible cultural heritage and its microscopic elements,such as specific Qingyin repertoires.Based on a comprehensive representation of the knowledge pertaining to Sichuan Qingyin's external management features and its intrinsic musical characteristics,the study advances in designing the ontology of Sichuan Qingyin from six levels:scenarios,reuse,entities,relationships,constraints,and evaluations.This approach furnishes a standardized descriptive framework for the scholarly examination of knowledge organization within Sichuan Qingyin,facilitating the construction of a semantic association model at a conceptual level.Furthermore,by incorporating concrete resource cases of Sichuan Qingyin,the research conducts an empirical analysis of semantic associations,delineating methods to interlink both external management-focused knowledge and internal content-focused knowledge of Sichuan Qingyin.The findings aim to contribute semantic-based strategies for the granular knowledge organization of intangible cultural heritage,particularly in the realm of traditional performing arts.
Sichuan Qingyinontologyknowledge representationsemantic association