摘要
受到瓦格纳美学的影响,以威泽瓦、莫里斯、迪雅尔丹等人为代表的象征主义者提出综合诗学的理论,他们主张综合多种文体,以表达整体的生活.综合诗学的理论基础,一方面强调纯粹人性内容是艺术的本源,另一方面探索艺术门类或者文体的居间状态.这种诗学对情感和文体的特性存在误解,是一种虚构的诗学.但从文化史的角度看,综合诗学具有重要的认识价值.象征主义者希望利用综合诗学在多种文体内部建造有一定封闭性的文本结构,达到远离理性和现实内容的目的.综合诗学是象征主义乌托邦的缩影.
Abstract
Influenced by the Wagnerian aesthetics,the symbolists,Téodor de Wyzewa,Charles Morice,Édouard Dujardin,etc,advocated the poetics of Synthesis,suggesting uniting various literary genres for expressing total life.The theoretical base of Synthesis consisted of two parts:one was Puly-human Content;the other was intermediateness of art categories or literary genres.The Synthesis,due to the misunderstanding of the nature of feeling and literary genres,however,was a fictive poetics.Nev-ertheless,from the perspective of cultural history,the Synthesis has important psychological values.By means of the Synthesis,the symbolists desired to construct among literary genres a certain degree of closed text structure,and to achieve the aim of keeping away from the rational and realistic world.The Synthesis was the epitome of symbolist Utopia.
维普
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