首页|诗学视域下"清风"到"林风"的分化——以魏晋为源起

诗学视域下"清风"到"林风"的分化——以魏晋为源起

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"清风"在魏晋南北朝诗歌中的文化内涵的演变折射出魏晋玄风的兴起和回落的发展趋势,其独特的审美意蕴在诗学史上被延续保留,并逐渐分化出"林风"这一意象以满足特定的书写需求."林风"自唐代始现于诗歌之中,其文化内涵的形成却可溯源至魏晋时期."林风"由"清风"分化而来,受到魏晋时期人物品藻"林下风气"的影响,体现了诗人对松竹品性的精神寄托,切合"游而不居"的庄园山水欣赏模式.实际上,和"清风"相比,"林风"消解了魏晋玄学影响下本体论哲学关于"无"的抽象性质,更加强调"林"的景物特征,凸显"风"的自然属性,永恒地凝结着魏晋士人风流的时代精神,对后世诗人而言具有更加针对性的遥畅其怀、兴寄所托的书写功能.
The Differentiation from"Qing Feng"to"Lin Feng"from the Perspective of Poetics—Starting from the Wei and Jin Dynasties
The evolution of the cultural connotation of"Qing Feng"in the poetry of the Wei,Jin,Southern and Northern Dynasties reflects the development trend of the rise and fall of the Xuanfeng,and its unique aesthetic connotation has been retained in the history of poetics,and the image of"Lin Feng"has gradually differentiated to meet specific writing needs."Lin Feng"has appeared in poetry since the Tang Dynasty,but the formation of its cultural connotation can be traced back to the Wei and Jin Dynasties."Lin Feng"is differentiated from"Qing Feng",and is influenced by the"Non-secu-larity"of person evaluation in the Wei and Jin Dynasties,which embodies the poet's spiritual suste-nance of pine and bamboo character,and fits the manor landscape appreciation mode of"visiting but not living".In fact,compared with"Qing Feng","Lin Feng"dissolves the abstract nature of ontological philosophy about"nothing"under the influence of Wei and Jin metaphysics,emphasizes the scenery characteristics of"Lin",highlights the natural attributes of"wind",and eternally condenses the time spirit of Wei and Jin scholars,which,for later poets,has a more targeted function of writing in a re-mote and expressive manner.

"Qing Feng""Lin feng"the Wei,Jin,Southern and Northern Dynastiespoetics

冯琪琪

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四川师范大学 文学院,四川 成都 610034

"清风" "林风" 魏晋南北朝 诗学

2024

台州学院学报
台州学院

台州学院学报

CHSSCD
影响因子:0.283
ISSN:1672-3708
年,卷(期):2024.46(4)