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中国动画电影中"哪吒"形象的演变分析

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不同时代中的动画电影具有各自时代的特征,中国动画电影伴随着技术与思想的提升,在各个方面都有着巨大突破.文章以"哪吒"形象为研究对象,分析其在不同时期的典型动画电影中的发展变化,从《大闹天宫》到《哪吒之魔童降世》,对比几部动画电影在剧作模式与视听语言方面的差异,通过文献研究法、比较研究法和案例分析法,探讨时代变化下的中国动画电影的发展.
Analysis on the Evolution of"Nezha"Image in Chinese Animation Film
Animation films in different eras have their own characteristics of the times.With the improvement of tech-nology and thought,Chinese animation films have made great breakthroughs in various aspects.This paper takes the image of"Nezha"as the research object,analyzes its devel-opment and changes in typical animation films of different periods,compares the differences between several animation films in terms of theatrical mode and audio-visual language from The Monkey King to Nezha:Birth of the Demon Child,and explores the development of Chinese animation films under the changes of the times through literature re-search,comparative research and case analysis.

animation filmNezhatheatrical modeaction performanceaudio-visual language

余军

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西安美术学院,陕西 西安 710065

动画电影 哪吒 剧作模式 动作表演 视听语言

2024

玩具世界

玩具世界

ISSN:
年,卷(期):2024.(1)
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