中国动画电影中"哪吒"形象的演变分析
Analysis on the Evolution of"Nezha"Image in Chinese Animation Film
余军1
作者信息
- 1. 西安美术学院,陕西 西安 710065
- 折叠
摘要
不同时代中的动画电影具有各自时代的特征,中国动画电影伴随着技术与思想的提升,在各个方面都有着巨大突破.文章以"哪吒"形象为研究对象,分析其在不同时期的典型动画电影中的发展变化,从《大闹天宫》到《哪吒之魔童降世》,对比几部动画电影在剧作模式与视听语言方面的差异,通过文献研究法、比较研究法和案例分析法,探讨时代变化下的中国动画电影的发展.
Abstract
Animation films in different eras have their own characteristics of the times.With the improvement of tech-nology and thought,Chinese animation films have made great breakthroughs in various aspects.This paper takes the image of"Nezha"as the research object,analyzes its devel-opment and changes in typical animation films of different periods,compares the differences between several animation films in terms of theatrical mode and audio-visual language from The Monkey King to Nezha:Birth of the Demon Child,and explores the development of Chinese animation films under the changes of the times through literature re-search,comparative research and case analysis.
关键词
动画电影/哪吒/剧作模式/动作表演/视听语言Key words
animation film/Nezha/theatrical mode/action performance/audio-visual language引用本文复制引用
出版年
2024
NETL
NSTL
万方数据