Cultural Memory and Connotation Reconstruction of Domestic Ink Animation
Chinese animation has experienced two creation peaks in the 1960s and 1980s respectively.Among many types of animation,ink animation is unique because of its originality and nationality.The beauty of the connotation of ink animation has achieved the historical transformation of Chinese animation from"import"to"internalization".However,after a short period of prosperity,Chinese ani-mation has entered a long period of silence and national aphasia.Ink animation had no outstanding works for a long time until entering the 21st century.In the context of the rise of Chinese animation,the animation in the form of ink has reappeared.While inheriting the characteristics of Chinese aesthetics,it presents the new era characteristics of progressive change and multi-dimensional connotation reconstruction.