首页|国产水墨动画的文化记忆与意蕴重构

国产水墨动画的文化记忆与意蕴重构

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中国动画分别在 20世纪60年代及 20世纪80年代形成了两次创作高峰,在诸多动画类型中,水墨动画因其独创性和民族性而独具一格.水墨动画意蕴之美实现了中国动画由"舶来"到"内化"的历史性转变.然而短暂的繁荣之后,中国动画进入了长时间的沉寂与民族性失语期,水墨动画很长时间无佳作再现,直至进入 21 世纪,在国漫崛起的背景下,水墨形式的动画再次出现,在传承中华美学特征的同时,呈现出了进变性与多维意蕴重构的新时代特征.
Cultural Memory and Connotation Reconstruction of Domestic Ink Animation
Chinese animation has experienced two creation peaks in the 1960s and 1980s respectively.Among many types of animation,ink animation is unique because of its originality and nationality.The beauty of the connotation of ink animation has achieved the historical transformation of Chinese animation from"import"to"internalization".However,after a short period of prosperity,Chinese ani-mation has entered a long period of silence and national aphasia.Ink animation had no outstanding works for a long time until entering the 21st century.In the context of the rise of Chinese animation,the animation in the form of ink has reappeared.While inheriting the characteristics of Chinese aesthetics,it presents the new era characteristics of progressive change and multi-dimensional connotation reconstruction.

ink animationdomesticform reproductioncultural memoryconnotation reconstruction

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河北大学,河北 保定 071002

水墨动画 国产 形式再现 文化记忆 意蕴重构

河北省社会科学基金一般项目

HB19YS042

2024

玩具世界

玩具世界

ISSN:
年,卷(期):2024.(5)
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