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文化转译视域下国产动画电影中的怪兽形象研究

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伴随国产动画电影行业的迅猛发展以及它在全球影响力的不断提升,大量本土影片加速走向国际舞台,博得了全世界观众的喜爱.国产电影中的怪兽形象蕴含浓厚的文化内涵和充裕的审美情趣,传达了国产电影的独特魅力.文章从文化转译视角出发,深入探讨了国产动画电影研究现状,解读了动画电影中怪兽形象的文化符号,指出国产动画电影中怪兽形象的表现形式主要有三种:对传统怪兽形象进行重新演绎和创作、映射现代社群与科技发展的特色、映射人类对神秘领域的求知欲与对将来的向往.此外,探索了文化转译视域下国产动画电影中怪兽形象的创作路径,旨在为国产动画电影的兴盛发展和国际推广提供理论支撑和新颖视角.
Research on Monster Image in Domestic Animation Film from the Perspective of Cultural Translation
With the rapid development of the domestic an-imation film industry and its increasing global influence,a large number of local films are accelerating their entry into the international stage and winning the love of audi-ences around the world.The monster image in domestic films contains strong cultural connotation and abundant aesthetic taste,which conveys the unique charm of do-mestic films.From the perspective of cultural translation,this paper deeply discusses the research status of domestic animation films,interprets the cultural symbols of mon-ster images in animation films,and points out that there are three main forms of expression of monster images in domestic animation films:reinterpreting and creating traditional monster images,reflecting the characteristics of modern communities and technological development,and reflecting human beings'thirst for knowledge in the mysterious field and their yearning for the future.In addi-tion,it explores the creation path of the monster image in domestic animation films from the perspective of cultural translation,aiming to provide theoretical support and new perspectives for the prosperous development and interna-tional promotion of domestic animation films.

cultural translationmonster imagedomestic animation filmcultural symbol

张蕊

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成都艺术职业大学,四川 成都 611430

文化转译 怪兽形象 国产动画电影 文化符号

2024

玩具世界

玩具世界

ISSN:
年,卷(期):2024.(6)
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