摘要
《仲夏夜之梦》中的印度男孩在全剧中仅仅被直接提及了 6 次,是一个无台词、无动作、容易被忽视的对象.相比于喜剧元素、梦境、叙事结构及语言、狂欢化等主流研究,印度男孩在早期《仲夏夜之梦》剧作研究中并未受到足够重视.然而,莎士比亚设定这样一个印度男孩的角色绝非偶然.在 16 世纪末 17 世纪初的社会转折时期,印度男孩是英国迈向资本主义、殖民主义以及现代父权家庭结构的重要见证者.
Abstract
With only six direct references and no stage lines and actions in the whole play,the Indian boy in A Midsummer Night's Dream is an easily ignored source of contention.Compared with ma-instream research topics in this play,such as comedic elements,dreams,narrative structure,language and carnivalization,the Indian boy has not drawn due attention in the early research of A Midsummer Night's Dream.However,it is no accident that Shakespeare created such a charac-ter of an Indian boy.During the social transition period at the end of the 16th century and the be-ginning of the 17th century,the Indian boy was an important witness of Britain's move towards capitalism,colonialism and the modern patriarchal family structure.
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