首页|商周服装图案装饰的伦理审美嬗变

商周服装图案装饰的伦理审美嬗变

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图案装饰是我国传统服装文化的重要组成部分,服装图案装饰的审美也因时代社会伦理的发展而嬗变.商周因生产力有限、对自然认识不足而产生以"拜神敬鬼"为核心的社会伦理秩序,其服装图案主要以几何、植物及神兽造型为主;至西周,随着去"巫"重"礼"社会秩序确立,服装图案进一步明确了身份等级秩序及道德伦理要求;东周"礼崩乐坏",诸侯"百家争鸣",服装图案"僭越"和地域审美打破"礼"的约束,呈现"百花齐放"之势.
The Ethical and Aesthetic Evolution of Clothing Pattern Decoration in the Shang and Zhou Dynasties
Pattern decoration is an important component of China's traditional clothing culture,and the aesthetic of clothing pattern decoration has also evolved with the development of social ethics in each era.The Shang and Zhou dynasties were the beginning of Chinese civilization.Due to limited productivity and insufficient understanding of nature,the early people developed a social and ethical order centered around"worshipping gods and ghosts".Their clothing patterns and decorations were mainly geometric,plant,and mythical animal shapes;By the Western Zhou Dynasty,with the establishment of a social order of"eliminating witchcraft"and emphasizing"ritual",clothing patterns further clarified the order of identity hierarchy and moral and ethical requirements;During the Eastern Zhou Dynasty,"rites collapsed and music deteriorated",and various feudal lords competed.Clothing patterns frequently violated the constraints of"rites"and regional decorative features broke through,presenting a trend of"a hundred flowers blooming".

ethicsaestheticsclothingpattern

何子凤

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皖西学院艺术学院,安徽六安 237000

伦理 审美 服装 图案

2024

皖西学院学报
皖西学院

皖西学院学报

影响因子:0.299
ISSN:1009-9735
年,卷(期):2024.40(5)