首页|从"根本恶"到无法言说的"恶"——二战后法国情境下的概念考古

从"根本恶"到无法言说的"恶"——二战后法国情境下的概念考古

From"Radical Evil"to Unutterable"Evil":Archaeology of an Idea in the Context of Post-World War Ⅱ France

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恶是现代以来德国哲学传统的关键概念.康德提出的"根本恶"为人性奠定了抽象普遍的基调,涉及先验哲学框架内人性的可能性与限度,恶的神学意涵被淡化.20世纪下半叶到21世纪初,两次世界大战对西方文明的摧毁,集中营等极端事件引发了对人性的重新思考.法国哲学以自由与介入的独特思想特质,回应并发展了德国哲学传统中恶的概念,在后现代思潮的影响下赋予了恶的概念无法言说、无法理解的特质.恶的概念在法国自身的历史语境与地理空间中,在与德国哲学的互动中,不断流变甚至被彻底打破.恶的历史语义在理论与实践中发生了根本改变,却在美学领域与具体的文艺实践中以悖论方式得以重新言说和表述.因此法国语境下恶的概念的特质,还在于其中蕴含的救赎的可能性.
"Evil"has been a key word in the German philosophical tradition since modern times.Immanuel Kant's concept of"radical evil"serves as the foundation for the abstract and universal nature of humanity,exploring the possibilities and limits of humanity within the theoretical framework of transcendental philosophy,and the theological implications of evil are played down.In the latter half of the twentieth century and the early twenty-first century,two world wars devastated Western civilization,resulting in catastrophes such as the Holocaust,prompting reflections on humanity.French philosophy,known for freedom and intervention,responded to and expounded upon the concept of"evil"inherited from the German philosophical tradition.Influenced by the postmodern trend,it infused the concept with unutterable and unfathomable meanings.Within the French historical context and through the interactions with German philosophy,the concept of"evil"underwent constant transformation and even rupture.The historical significance of"evil"is undergoing a fundamental shift,paradoxically represented and expressed in aesthetic theories and tangible works of literature and art.Thus,the French perspective on the concept of"evil"is characterized by its potentials for redemption.

"evil"conceptual historyselfthe otherliteraturethe post-World War Ⅱ period

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北京师范大学文学院

概念史 自我 他者 文学 二战后

2024

文艺理论研究
中国文艺理论学会,华东师范大学

文艺理论研究

CSTPCDCSSCICHSSCD北大核心
影响因子:0.46
ISSN:0257-0254
年,卷(期):2024.44(1)
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