自然的人生化——《新潮》与新文学发生期的"自然"
The Humanization of Nature:The Renaissance and"Nature"in Early Modem Chinese Literature
危明星1
作者信息
- 1. 中国艺术研究院马克思主义文艺理论研究所
- 折叠
摘要
"自然"作为重要的思想史观念,提供了一个深入理解《新潮》同人与新文学发生史之关系的视角.《新潮》同人把"自然"作为重要的书写对象,以写景诗为新文学的急先锋,但围绕"自然"与"人生"的辩驳也因此展开,他们以近代以来杂糅的自然观念为基础,在"自然"与"人生"的辩驳中提出自然的人生化."自然"作为新文学的重要写作对象与基本准则便以物质世界的自然为基点,生发出多重面向,并反过来深化了新文学论域中的"自然".自然的人生化,是《新潮》同人对新文学自然观理论贡献的核心,也是其思想转型的一次成功尝试.
Abstract
"Nature"as an important concept in the history of ideas provides a perspective for understanding the relationship between The Renaissance collective and the history of new literature.The Renaissance collective elevated"nature"as a fundamental narrative focus,notably through the innovation of landscape poetry,which marked the forefront of literary modernization.This initiative spawned a critical discourse juxtaposing"nature"and"life",rooted in an amalgamation of contemporary natural philosophies.Through this discourse,the collective advocated for a"humanization of nature",a concept positioning the material world as the cornerstone of new literary exploration.This conceptualization fostered a diversified intellectual engagement with"nature",thereby enriching the theoretical landscape of modern literature.The Renaissance collective's theorization on the"humanization of nature"stands as their seminal contribution to the philosophical underpinnings of new literature and exemplifies their ideological evolution.
关键词
"自然"/"人生"/《新潮》/新文学Key words
nature/life/The Renaissance/new literature引用本文复制引用
基金项目
2024年中国艺术研究院基本科研业务费项目(2024-4-8)
国家社会科学基金重大项目(20&ZD280)
出版年
2024
NETL
NSTL
万方数据