首页|科幻小说《火星纪事》的空间叙事

科幻小说《火星纪事》的空间叙事

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虽然被放置在编年史的叙事框架下,但是雷·布拉德伯里的《火星纪事》具有突出的空间叙事特征.首先,从形式上来看,《火星纪事》是一部以"火星"为背景的系列短篇小说拼接而成的长篇文学作品,"火星"这一异域空间是建造整座小说大厦的基石.其次,布拉德伯里充分发挥了科幻小说的超验叙事特色,对小说中的空间进行了多种形式的操控.其中,艺术空间、田园空间和工业空间的并置体现了作家对现代社会发展方向的反思,而纯洁的火星人空间和腐败的地球人空间的重叠表达了作者对西方现代人宗教生活的不满以及对完美宗教理想的追求.空间叙事使得《火星纪事》不仅具有极强的故事性和艺术性,更能反映出作家对人类前途和命运的忧思和焦虑之情.
Despite within the framework of a chronicle narrative,The Martian Chronicles of Ray Bradbury exhibits prominent characteristics of spatial narrative.Firstly,from the perspective of form,The Martian Chronicles is a novel composed of inter-connected short stories set against the background of the planet Mars,an exotic space that serves as the cornerstone of the nar-rative structure.Secondly,Bradbury skillfully employs the transcendent narrative features of science fiction,manipulating the spaces within the novel in various ways.Among these,the juxtaposition of artistic space,pastoral space,and industrial space reflects the author's examination of the development of modern society.Additionally,the convergence of the pure Mars and the corrupted Earth conveys the author's dissatisfaction with Western modern religious life,as well as the pursuit of an ideal religious utopia.The utilization of spatial narrative endows The Martian Chronicles with compelling narrative and artistic quali-ties and reflects the author's concerns and anxieties regarding humanity's future and destiny.

The Martian Chroniclesspatial narrativespatial juxtapositionspatial convergence

刘义

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绍兴文理学院元培学院

《火星纪事》 空间叙事 空间并置 空间重叠

2021年浙江省教育厅一般科研项目

Y202145921

2024

西安外国语大学学报
西安外国语学院

西安外国语大学学报

CSTPCDCHSSCD北大核心
影响因子:0.754
ISSN:1673-9876
年,卷(期):2024.32(3)
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