女性·社会性·互文性——安妮·埃尔诺的自我书写
Feminine,Social,and Intertextual:Annie Ernaux's Self-writing
黄荭1
作者信息
摘要
2022年诺贝尔文学奖得主安妮·埃尔诺近半个世纪的写作始终围绕"自我"展开,但她根植于个体经验的集体记忆书写有别于传统的自传和自我虚构,带有鲜明的女性、社会性和互文性特征.她的"自我民族志""社会自传"用敏锐精准的观察和简洁平白的文风,揭露并反思了性别等级、社会差异和阶级"区隔"导致的"象征性暴力".通过这种历时与共时、自生与外生、反复与差异的叙事手法和互文本游戏,安妮·埃尔诺将自身的创作汇人文学和历史的记忆之场中.
Abstract
French author Annie Ernaux,winner of the 2022 Nobel Prize in Literature,has consistently focused on the theme of"self'in her writing for nearly half a century,while different from traditional autobiography and self-fiction,her collective memory writing rooted in individual experience is marked with distinctive feminine,social,and intertextual features.With the sharp and precise observations and the style of"écriture plate/ecriture blanche",her"auto-ethnography"and"auto-socio-biography"expose and reflect on the"symbolic violence"resulting from gender hierarchies,social differences,and class"distinction".Through the narrative technique and intertextual game of synchronicity and diachronicity,autogenous and exogenous qualities,as well as repetition and differentiation,Emaux integrates her creation into the literary and social historical site of memory of human coexistence.
关键词
安妮·埃尔诺/女性书写/自我民族志/社会自传/互文性Key words
Annie Emaux/women's writing/auto-ethnography/auto-socio-biography/intertextuality引用本文复制引用
基金项目
教育部人文社会科学研究规划基金项目(19YJA752007)
出版年
2024
NETL
NSTL
万方数据