摘要
湘西苗族地处湘西土家族苗族自治州,是除贵州之外的第二大苗族聚集地.银饰作为苗族社会的一种文化现象,传承和发展着苗族文化,其纹样图案融合了当地人们对自然、社会、神灵等的理解与探索.苗族女性审美意识体现在衣食住行、民俗神话、宗教仪式等各个方面,在银饰图案上有着集大成的映射展现.
Abstract
Xiangxi Miao is located in Xiangxi Tujia and Miao Autonomous Prefecture,and is the second largest Miao gathering place outside Guizhou.As a cultural phenomenon of the Miao society,silver jewelry inherits and develops the Miao culture.Its patterns integrate the local people's understanding and exploration of nature,society,gods,and other aspects.The aesthetic consciousness of Miao women is reflected in various aspects such as clothing,food,housing and transportation,folk myths,religious rituals and so on,and has a comprehensive reflection in silver ornaments patterns.