西部皮革2024,Vol.46Issue(3) :149-151.DOI:10.20143/j.1671-1602.2024.03.149

唐代世俗女性披帛探究

The Study of the Secular Women's Pibo in the Tang Dynasty

曹琪 李欣
西部皮革2024,Vol.46Issue(3) :149-151.DOI:10.20143/j.1671-1602.2024.03.149

唐代世俗女性披帛探究

The Study of the Secular Women's Pibo in the Tang Dynasty

曹琪 1李欣1
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作者信息

  • 1. 盐城工业职业技术学院,江苏盐城 224000
  • 折叠

摘要

魏晋时期,儒学统治地位动摇,为外来佛教的传播提供了空间,佛禅中理想化的审美追求促进了披帛的发展,开始广泛出现于壁画之中,直至唐代才在世俗女子的服饰中流行.披帛作为唐代女性服饰的重要组成部分,广泛流传于宫廷、贵族女性和乐舞伎之中,承担着重要的装饰及审美功能,是女性身份的一种社会标志.唐王朝开放包容的社会环境、丰富多彩的艺术形式,极大地促进了服饰文化的进步,推动了披帛的流行与发展.

Abstract

In the Wei and Jin dynasties,the dominance of Confucianism was wavering,which provided space for the spread of foreign Buddhism.The idealized aesthetic pursuit of Buddhist Zen promoted the development of Pibo,which began to appear widely in mural paintings until the Tang Dynasty.As an important part of women's dress in the Tang Dynasty,Pibo was widely spread among the court,noble women,and musicians?and?dancers.It assumed important decorative and aesthetic functions and was a social symbol of female identity.The open and inclusive social environment and colorful art forms of the Tang Dynasty greatly promoted the progress of dress culture and accelerated the popularity and development of Pibo.

关键词

披帛/服饰文化/艺术形式

Key words

Pibo/costume culture/artistic form

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出版年

2024
西部皮革
四川省皮革行业协会 四川省皮革学会 四川省皮革研究所

西部皮革

影响因子:0.293
ISSN:1671-1602
参考文献量7
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