印象派绘画艺术的光与色在女装设计中的应用浅析
The Utilization of Illumination and Chromaticity in the Design of Women's Attire through the Lens of Impressionistic Art
王亭骅1
作者信息
摘要
文章旨在探讨印象派绘画艺术中光与色在女装设计中的应用.通过对印象派绘画独特的视觉表现进行细致分析,提取其光与色应用的核心特点,结合文献分析、网络调查等多种研究方法,深入探索了印象派绘画中光影与色彩的变化规律.通过设计案例,基于图片和文字资料,归纳总结了这些艺术元素在女装设计中的实际应用.
Abstract
The work endeavors to delve into the avant-garde utilization of illumination and chromaticity in the design of women's attire from the perspective of Impressionistic art.Through an assiduous scrutiny of the singular visual manifestations of Impressionistic art,the fundamental attributes of illumination and chromaticity utilization are elucidated.By amalgamating diverse research methodologies such as literary analysis and virtual inquiries,the work probes the dynamic configurations of illumination and chromaticity in Impressionistic art.Through illustrative design instances and grounded upon visual and textual reservoirs,the pragmatic utilization of these artistic constituents in the design of women's attire is succinctly encapsulated.
关键词
印象派/女装设计/光影/色彩Key words
Impressionism/women's attire design/luminosity and obscurity/chromaticity引用本文复制引用
出版年
2024
NETL
NSTL
维普
万方数据