前景化视角下约翰·济慈"三颂"文体特征分析
Characteristics of John Keats's"Three Odes"from Perspective of Foregrounding Theory
李雅慧1
作者信息
摘要
约翰·济慈所作《夜莺颂》《希腊古瓮颂》和《秋颂》世称"三颂",是千古传颂的英国诗歌杰作.在"三颂"中,济慈不拘泥于传统的诗歌形式,将诗与画完美融合.因而,文章基于前景化理论从偏离和平行两个维度探讨"三颂"中前景化的特征,着重分析诗歌语言偏离规范的现象,旨在深入领会诗歌的内涵.
Abstract
John Keats's"Ode to the Nightingale""Ode to the Greek Urn"and"Ode to Autumn"known as the"Three Odes",are masterpieces of English poetry that have been celebrated throughout the ages.In the"Three Odes",Keats wasn't confined to traditional forms of poetry and perfectly blended poetry and painting.Therefore,this paper is based on the theory of foregrounding and explores the characteristics of foregrounding in the"Three Odes"from the perspectives of deviation and parallelism.It focuses on the phenomenon of deviation from the norms of poetic language,aiming to gain a deeper understanding of the connotation of the poems.
关键词
前景化/约翰·济慈/三颂Key words
foregrounding/John·Keats/Three Odes引用本文复制引用
出版年
2024
NETL
NSTL
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