戏剧-中央戏剧学院学报2010,Issue(3) :11-18.

延安新编平剧与样板戏的雏形——以《三打祝家庄》为例

李斌
戏剧-中央戏剧学院学报2010,Issue(3) :11-18.

延安新编平剧与样板戏的雏形——以《三打祝家庄》为例

李斌1
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作者信息

  • 1. 北京大学;
  • 折叠

摘要

延安新编平剧是在延安特殊文化氛围中产生的,它采用“领导出思想,群众出生活,作家出技巧”的集体创作方式,用群众喜闻乐见的艺术形式,改编古典作品,诠释领袖思想,达到特殊的“教育目的”。延安新编平剧是延安文艺的代表样式,它在文本生产程序、改编方式上积累了经验,为后来样板戏的产生准备了条件。

Abstract

In the specific cultural context, works of Yan'an New Peking opera were created with "ideas of the leaders, life experience of the masses, and skills of writers". In order to achieve particular "educational purposes", forms of popular and folk arts were taken to adapt classical works and interpret leaders' ideas. The New Peking opera was representative of art and literary style of Yan'an, hence set the stage for the emergence of the model plays in terms of text production and adaptation.

关键词

新编平剧/延安《三打祝家庄》

Key words

New Peking Opera/Yan'an/The Three Sieges of Chuk Village

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出版年

2010
戏剧-中央戏剧学院学报
中央戏剧学院

戏剧-中央戏剧学院学报

CHSSCD北大核心
影响因子:0.084
ISSN:1003-0549
参考文献量1
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