The intricate scenography crafted by Karl von Appen for Bertolt Brecht's production of The Caucasian Chalk Circle at the Berliner Ensemble in 1954 deserves belated recognition within our profession.This paper,utilizing pertinent documents and memoirs,meticulously traces the evolution of this scenography.It delves into the associated intellectual concepts,practices,and theatrical conditions,aiming to comprehensively outline the distinctive features and methodologies employed in the scenography of Brecht's later period.
Bertolt Brechtepisches theaterKarl von AppenThe Caucasian Chalk Circlescenography