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布莱希特"大胆妈妈范式"对细节的"陌生化"处理

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作为20世纪最卓越和最富独创性的戏剧家,布莱希特从中国传统戏曲阐发和建构的叙事剧新观念,反过来深刻影响了中国现代戏剧.有别于已有的布莱希特戏剧理论和文本研究,本文聚焦于布氏流亡时期创作的《大胆妈妈和她的孩子们》的剧场实践文本,考察被忽略的布氏及其助手们1949年根据该剧排练和剧场演出资料整理的,由注释说明、剧照和附录补充而成的戏剧实践文本"大胆妈妈范式"(Couragemodell).重点分析"范式"中布氏对细节的处理和把握,以及由此产生的"陌生化"效果.同时结合20世纪50年代柏林船坞剧院《高加索灰阑记》的排演记录,分析布氏在剧场实践中对中国戏剧面具细节的评价,以及对面具的创造性使用,这有助于更好厘清布氏的戏剧实践与中国戏剧的关系.
Brecht,recognized as one of the most innovative playwrights of the 20th century,developed a new concept of narrative drama inspired by traditional Chinese opera,which had a profound impact on modern Chinese theater.This paper diverges from existing studies on Brechtian theater theories and texts,focusing instead on the"Couragemodell",a specific theatrical practice text related to Mother Courage and Her Children that was created during his exile.It examines the often overlooked rehearsal and theater performance materials compiled by Brecht and his assistants in 1949,supplemented by annotations,stage photos,and appendices.The paper specifically analyzes Brecht's meticulous handling and grasp of details within the"modell"as well as the resulting alienation effect.Furthermore,by combining the rehearsal records of the Berliner Ensemble's 1950s production of The Caucasian Chalk Circle the paper delves into Brecht's evaluation of Chinese theatrical mask details in theatrical practice and his creative use of masks.This analysis facilitates the understanding of Brecht's theatrical practice,highlighting its intricate relationship with and influence from Chinese theater.

Brecht"Couragemodell"alienation effect

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上海交通大学外国语学院

布莱希特 "大胆妈妈范式" 陌生化

国家社会科学基金项目

22BZW033

2024

戏剧-中央戏剧学院学报
中央戏剧学院

戏剧-中央戏剧学院学报

CSTPCDCSSCICHSSCD北大核心
影响因子:0.084
ISSN:1003-0549
年,卷(期):2024.213(1)
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