Exorcism has a rich history dating back to the Rites of the Zhou Dynasty,and its practice has spanned thousands of years.In 705 AD(Keiou 2),the Japanese court conducted an exorcism ceremony.Over time,the specific practices of exorcism,including the Fang Xiangshi Exorcism,evolved and varied in both China and Japan.While the Fangxiang Exorcism disappeared in the Song Dynasty,various exorcism ceremonies emerged in China to fill the void.Similarly,in some Japanese Jinnjya,the Fangxiang Exorcism has experienced a revival.Today,different exorcism ceremonies coexist alongside one another,each with its own distinct characteristics and traditions.It is noteworthy that contemporary exorcism ceremonies in both China and Japan share several similarities.The masks used in these ceremonies have been influenced by Yin-Yang and Five Elements ideology,historical figures,and traditional drama,among other cultural touchpoints.By conducting a comparative analysis of masks and performance connotations,the thesis aims to shed light on the cultural connections and differences between China and Japan,highlighting their shared historical roots while showcasing the unique manifestations that have emerged in each respective culture.
Buddhism Confessions RirualOni KennmayiWuchang DanceAnshun local playEdo Satokagura
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