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数字"影像事实"的发生学与媒介哲学追问

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面对数字技术、D梯技术全面取代传统摄影术所造成的本体论和知识体系危机,应对之策只能是基于媒介哲学认知的重构.重回媒介特质的历时性审视引发了对"影像"介质的质疑.而"弃影存像"实施"像上建构"的理性主张,则开启了具有本土历史资源的知识智慧的学理路径.沿此路径而行,在"像"上重建数字影像事实的阐释理论与知识体系的大厦,就不再是所谓现象学与经验论体感范畴的"硬转".
In the face of the ontological and epistemological crisis of caused by the total replacement of traditional photography by digital technology and D-ladder technology,the response can only be based on the reconstruction of media philosophy cognition.Returning to a historical examination of media qualities prompts a questioning of the medium of"image".The rational proposition of"abandoning film and keeping the image"and implementing"construction on the image"paves a theoretical path of intellectual wisdom with local historical resources.Along this path,the reconstruction of the interpretation theory and knowledge system of digital image facts on the"image"is no longer merely the so-called"hard turn"of phenomenology and empiricism.

ontological crisisimageimage narrativeabandoning film and keeping the image

虞吉、秦可

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西南大学新闻传媒学院

本体论危机 像化叙述 弃影存像

2024

戏剧-中央戏剧学院学报
中央戏剧学院

戏剧-中央戏剧学院学报

CSTPCDCSSCICHSSCD北大核心
影响因子:0.084
ISSN:1003-0549
年,卷(期):2024.216(4)