摘要
在韩国电影导演图谱中,洪常秀绝世而独立,其鲜明独创的品格让人联想起20世纪60年代后的一些欧洲名导.将洪常秀作品置入与法国新浪潮电影的对话关系中研阅,会发现两者在主题、题材、拍摄模式等方面有明显的脉络渊源.在私媒介盛行的后现代社会,这种用悠然描述取代艰苦论证、以松散闲谈代替紧张行动、凭原地速写接替四处转战的创作风格是对新浪潮遗产的传承与更新.
Abstract
Within the landscape of Korean film directors,Hong Sangsoo stands out as a unique and independent figure,characterized by a distinctive and original style reminiscent of some famous European directors from the post-1960s era.Upon closer examination of Hong's works in the context of a dialogue with the French New Wave,one can discern clear connections between the two movements in terms of themes,subject matter,and filmmaking approaches.In today's post-modern society,where private media is pervasive,Hong's creative style,which replaces laborious argumentation with leisurely descriptions,intense action with casual conversations,and journeys with on-location sketches,serves as both an inheritance and a renewal of the New Wave legacy.
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