戏剧-中央戏剧学院学报2024,Vol.217Issue(5) :80-90.

经典再造与守正创新:"沈氏三出半"对当下戏曲表演艺术的启示

赵建新
戏剧-中央戏剧学院学报2024,Vol.217Issue(5) :80-90.

经典再造与守正创新:"沈氏三出半"对当下戏曲表演艺术的启示

赵建新1
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作者信息

  • 1. 中国戏曲学院
  • 折叠

摘要

沈福存作为1949年之后出现的重要京剧男旦艺术家,其整理演出的"沈氏三出半"被业界公认为其代表作."沈氏三出半"都是老戏老角色,"守正"易,"创新"难;"继承"易,"发展"难.但沈福存注重对经典剧目和经典形象的开掘再造,围绕大家、角色和观众三维聚焦,在有限的阐释空间中实现了个性化的舞台表达,这是其表演艺术得以在众多大师演出范本中脱颖而出的根本原因.沈福存实现了传统剧目传承与发展中的"守正创新",为当下戏曲表演艺术的传承和发展提供了有益的借鉴和参考.

Abstract

As an important male Peking Opera artist who emerged after 1949,Shen Fucun's"Shen's Three and a Half'performances are widely acknowledged as his signature works within the industry."Shen's three and a half'feature traditional dramas and roles,where"upholding tradition"is easy,but"innovation"is challenging;"inheriting"is easy,but"evolving"is difficult.However,Shen Fucun focuses on the excavation and reinvention of classic repertoire and iconic images,centering on a three-dimensional focus involving the masters,the characters and the audiences,achieving a unique stage expression within a limited interpretative space.This is why his performance stands out among many masterful performances.Shen Fucun has achieved a"balancing of tradition with innovation"in the inheritance and development of traditional repertoires,providing valuable insights and references.

关键词

"沈氏三出半"/经典再造/守正创新

Key words

Shen's three and a half/classical reinvention/integrity and innovation

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出版年

2024
戏剧-中央戏剧学院学报
中央戏剧学院

戏剧-中央戏剧学院学报

CSTPCDCSSCICHSSCD北大核心
影响因子:0.084
ISSN:1003-0549
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