首页|生态美学视域下鄂伦春族桦树皮画的历史发展与时代传承

生态美学视域下鄂伦春族桦树皮画的历史发展与时代传承

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鄂伦春族在世代与森林相伴成长的历程中,形成了特色鲜明的桦树皮文化。鄂伦春族的桦树皮画不仅是传统桦树皮文化的历史传承,也是其朴素生态美学观的时代延续。传统桦树皮器物上装饰的出现与发展,可以看作是鄂伦春族桦树皮画的历史源流。在下山定居与"禁猎转产"之后,摆脱了实用性的束缚,鄂伦春族的桦树皮画在内容题材与创作技法等方面都展现出了新的时代风貌。研究表明,鄂伦春族桦树皮画的创新与发展,应坚守民族文化核心,并赓续传统生态审美观,才能根基稳固并持续向前创新发展。
The Historical Development and Era Inheritance of the Oroqen Birch Bark Paintings from the Perspective of Ecological Aesthetics
The Oroqen people,who have grown up in harmony with the forest for generations,developed a u-nique birch bark culture.Oroqen birch bark painting not only represents the historical inheritance of traditional birch bark culture but also embodies their simple ecological aesthetic views.The appearance and development of decoration on traditional birch bark objects can be seen as the historical origin of Oroqen birch bark painting.After settling down from the mountains and transitioning from hunting to other forms of production,Oroqen birch bark paintings have liberated themselves from the constraints of practicality,showcasing a new contemporary style in con-tent themes and creative techniques.The innovation and development of Oroqen birch bark paintings should adhere to the core of their ethnic culture and continue the traditional ecological aesthetic ideology to maintain a solid foun-dation and continue moving forward.

ecological aestheticsOroqen nationalitybirch bark culturebirch bark painting

孙玉明、张子怡

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东北电力大学艺术学院,吉林 吉林 132011

生态美学 鄂伦春族 桦树皮文化 桦树皮画

教育部人文社会科学项目吉林省社会科学基金项目

20YJC7600902024B106

2024

西南林业大学学报
西南林业大学

西南林业大学学报

CSTPCD北大核心
影响因子:0.773
ISSN:2095-1914
年,卷(期):2024.8(10)