首页|异项美感狂欢:脱口秀节目的幽默实践及青年情感结构反思

异项美感狂欢:脱口秀节目的幽默实践及青年情感结构反思

扫码查看
作为时下青年群体热衷的文化实践,脱口秀节目成为突出景观。本研究试图借用情感结构分析"脱口秀流行"背后的中国青年情感状况和共同经验,在脱口秀文本基础上注重受众的主观认知与情感反应——对脱口秀实践中的"笑"进行解读。研究发现,脱口秀幽默话语中包含现实性、情感性及技巧性三种违反情境的具体面向,构成了从技巧接受到意义流动的幽默话语结构,违反作为"异项"的主动标出并形成普遍性态势。在幽默认知方面,观众形成了社会性洞察和享乐式体验两种认知反应。这一幽默实践过程浮现出当代青年"异项美感狂欢"的情感结构。这种对青年认知反应的观照,有助于理解新媒介文化现象,并重思社会变迁与代际心态之间的连续和断裂问题。
The Carnival of Heterogeneous Aesthetic:The Humor Practice in Stand-up Comedy and Reflections on the Structures of Feeling among Youth
As a cultural practice popular among young people today,stand-up comedy has become a prominent phenomenon.This study aims to analyze the emotional state and shared experiences of Chinese youth behind the popularity of standup comedy,focusing on the subjective cognition and emotional reactions of the audience based on standup comedy texts—specifically interpreting the concept of"laughter"in standup comedy practices.The research identifies three specific aspects of humor discourse in standup comedy:realism,emotionality,and skillfulness,all of which violate the context.These aspects form a humorous discourse structure that transitions from skillful reception to the flow of meaning,with violation of he terogeneous item being actively marked and becoming a common trend.In terms of humor cognition,the audience forms two cognitive responses:social insight and hedonistic experience.This process of humor practice reveals the affective structure of contemporary youth's"carnival of heterogeneous aesthetic".This attention to cognitive responses among young people contributes to understanding new media cultural phenomena and prompts reflection on the continuity and rupture between social change and generational attitudes.

stand-up comedy showshumoremtional communicationstruchures of feeling

晏青、万旭婷

展开 >

暨南大学新闻与传播学院,广东广州510632

脱口秀节目 幽默 情感传播 情感结构

2024

新闻界
四川日报报业集团

新闻界

CSSCI北大核心
影响因子:0.567
ISSN:1007-2438
年,卷(期):2024.(7)