首页|江右派诗人刘永之的诗学思想及其创作实践

江右派诗人刘永之的诗学思想及其创作实践

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刘永之在元末隐居避世,明初应召修礼书,后以重听辞归.其论诗以陶渊明、唐诗先贤为宗,推崇唐代孟浩然、李白、杜甫、韦应物等,主张诗人要摆脱"穷达"之累,要有超然物外的才能、志趣,反对"穷而后工".刘永之重视诗人的人品才学,认为要通过学习古人学问,来提高自身"才""趣".刘永之以唐诗为宗,其诗亦有唐人遗韵,其山水、寄赠、送别、感遇诸作,都表现了他高古冲淡的志趣,形成了清丽古雅的诗风.刘永之的诗学主张与创作实践,前承元人"举世宗唐"之余韵,后开明初台阁体之先声,具有承前启后的诗史意义.
The Poetic Thought and Creative Practice of Liu Yongzhi,a Poet of the Jiangyou School
Liu Yongzhi lived in seclusion at the end of the Yuan Dynasty,and was summoned to repair the Book of Rites in the early Ming Dynasty,and later returned with ear sickness.His poems are based on Tao Yuanming and the ancestors of Tang poetry,and praise Meng Haoran,Li Bai,Du Fu,Wei Yingwu,etc.of the Tang Dynasty,advocating that poets should get rid of the burden of"difficulties or success",have talents and interests beyond transcendent things,and oppose"poor and later work".Liu Yongzhi attaches great impor-tance to the poet's character and talent,and believes that he should improve his"talent"and"interest"by learning the knowledge of the ancients.Liu Yongzhi is based on Tang poetry,and his poems also have Tang people's rhyme,and his landscapes,gifts,farewells,and feelings all express his ancient and watered-down aspirations,forming a beautiful and quaint poetry style.Liu Yongzhi's poetic prop-osition and creative practice,the aftermath of the former Chengyuan people's"Emperor Shizong Tang",and the precursor of the later en-lightened early Taiwan pavilion style,have the poetic historical significance of inheriting the past and enlightening the future.

Jiangyou school of poetryLiu Yongzhipoetics thoughtcreative practice

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安徽大学 文学院,安徽 合肥 230000

合肥师范学院 文学院,安徽 合肥 230000

江右诗派 刘永之 诗学思想 创作实践

安徽省社会科学创新发展研究课题合肥师范学院科研启动基金

2021CX1712020rcjj38

2024

忻州师范学院学报
忻州师范学院

忻州师范学院学报

影响因子:0.186
ISSN:1671-1491
年,卷(期):2024.40(3)
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