石涛《画语录》创作主体观研究
A Study on the Subjective View in Shi Tao's Discourses on Painting
霍梦园 1秦芳1
作者信息
- 1. 忻州师范学院 美术系,山西 忻州 034000
- 折叠
摘要
《画语录》是清代初期的绘画理论著作,主要涉及中国山水画的基本美学思想.其中,《画语录》将"一画"论作为核心,阐释了关于绘画创作中主体"我"的观点.文章从主体意识"我"出发,研究《画语录》中提出的关于创作主体在山水画中的笔墨、造型及审美等创作方面发挥的重要作用,分析《画语录》中创作者发挥的主体意识的作用,可以更加深入地探索石涛绘画理念中蕴含的创作理念.
Abstract
Discourses on Painting by the Bitter Melon Monk is a theoretical work on painting from the early Qing Dynasty,which primari-ly concerns the fundamental aesthetic ideas of Chinese landscape painting.In this work,the concept of"one painting"is taken as the core,elucidating the perspective of the subject"I"in the creation of paintings.Starting from the subject consciousness"I",the article examines the significant role of the creative subject in the realms of brushwork,form,and aesthetics in landscape painting as proposed in Discourses on Painting.Analyzing the role of the creator's subjective consciousness in Discourses on Painting allows for a deeper explora-tion of the creative concepts embedded within Shi Tao's painting philosophy.
关键词
《画语录》/"一画"论/主体意识Key words
Discourses on Painting/the theory of"one painting"/subjective consciousness引用本文复制引用
出版年
2024
NETL
NSTL
万方数据