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敏珠林寺藏萨迦道果师承造像衣纹特征考

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敏珠林寺藏萨迦道果师承造像作为藏传佛教锻铜造像的典型代表,其造像风格与工艺特征对于判断这组造像的风格样式与图像特征、断代等问题极具重要的学术价值.文章基于前贤研究,以造像的服饰纹样为例,对敏珠林寺不变吉祥殿所藏道果师承造像的身份做进一步辨识,系统讨论造像与钦孜画派的关联.通过文献与图像的相互印证,探讨造像服饰纹样所蕴含的图像含义,及其独具特色的传统工艺,并将这组造像置于16世纪藏传佛教上师造像的历史语境中,试图对于厘清藏传佛教金铜造像的风格发展史提供重要线索.
A Study on the Pattern Characteristics of the Sakya Lamdre Master's Statue in the Mindrolling Monastery Collection
As a typical representative of forged bronze statues of Buddhism in Xizang,the statue of Sakya Lamdre in Mindrolling Monastery has significant academic value in determining the style,image features,and dating of this group of statues.Based on the research of predecessors,this article takes the clothing patterns of the statues as an example to confirm further the identity of the Lamdre statue found in the hall of Mindrolling Monastery and systematically discusses the relationship between the statues and the Khyentse School of Painting.Through the verification of literature and images,this paper explores the meanings of images contained in the clothing patterns of the statues,as well as their unique traditional craftsmanship.Moreover,this article puts this group of statues in the historical context of the statues of Buddist masters in Xizang in the 16th century,attempting to provide important clues for clarifying the style development history of Buddhist gold and copper statues in Xizang.

Mindrolling MonasteryForged Copper StatuesClothing PatternsCrafting Characteristics

范怡嵌

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西藏大学艺术学院

敏珠林寺 锻铜造像 服饰纹样 工艺特征

2024

西藏艺术研究
西藏自治区民族艺术研究所

西藏艺术研究

CHSSCD
影响因子:0.117
ISSN:1004-6860
年,卷(期):2024.(2)