首页|照见众生的雪豹:多重影像叙事与生态文化反思

照见众生的雪豹:多重影像叙事与生态文化反思

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从2009年至今,雪豹作为一种兼具神秘色彩与神圣性的高原物种,持续成为不同主体,如科学家、环保主义者、当地牧民、佛教僧侣与中外影视工作者追踪记录与影像表现的野生动物"明星".在近十五年的历程中,红外相机拍摄的科学调查影像、当地民众拍摄的"主位"社区影像、主流媒体拍摄的电视纪录片、电影工作者拍摄的院线纪录片或故事片,汇聚为一部以雪豹为主题的多声部光影史诗,其中,由藏族导演万玛才旦执导的电影《雪豹》是这一系列影像文本中的代表性作品,兼具现实意义与艺术隐喻.本文将《雪豹》作为一种影像史叙事的出发点,旨在追溯雪豹这一在生态系统与藏人信仰中皆有特殊地位的生灵,何以成为当代中国影像与生态文化中一个多义性的符号.
The Snow Leopard that Sees All Sentient Beings:Multiple Image Narratives and Ecological Cultural Reflection
From 2009 to the present,snow leopards,as a plateau species with both mystery and sacredness,have continued to be tracked,recorded,and represented as a wildlife"star"by different subjects,such as scientists,environmentalists,local herders,Buddhist monks,and Chinese and foreign film and image producers.Over the course of the past fifteen years,scientific investigation images captured by infrared cameras,"dominant"community videos and pictures created by local people,documentaries produced by mainstream media,and theatrical documentaries or feature films composed by filmmakers have all aggregated into an epic of snow leopard themed collection.Among the works,the film Snow Leopard,directed by Tibetan director Pema Tseden,is a representative work in this series of video collections.The film has both practical significance and rich artistic metaphors.This article takes the Snow Leopard as the starting point for the history of visual narratives,aiming to trace why the snow leopard has become a creature with a special status in the ecosystem and Tibetan belief systems and how the species has become a symbol with multiple meanings in contemporary Chinese visual and ecological culture.

Snow LeopardEcological ProtectionCommunity VideoNature MoviesPema Tseden

朱靖江

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中央民族大学民族学与社会学学院

中央民族大学影视人类学研究中心

雪豹 生态保护 社区影像 自然电影 万玛才旦

2024

西藏艺术研究
西藏自治区民族艺术研究所

西藏艺术研究

CHSSCD
影响因子:0.117
ISSN:1004-6860
年,卷(期):2024.(2)