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李浔江南诗境美学论

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李浔在江南温润绵软的怀抱里恣肆地抒写属于自己的江南感觉,其江南诗借助江南文化原型展开自然白描、人文抒写、历史叙事与风物传说,丰富了新诗的现代表达和诗美营造;充分运用多元文化语境沉积物所潜藏的亲切感和审美化,尝试用吴方言进行诗性建构,实现诗歌语言运思方式的陌生化,获得陌生化效果;其江南诗的风格化,很大程度上得益于通感、联觉、变形等传统江南诗词文人所擅长的歌咏手法,形成了青春浪漫与含蓄简约兼具的风格,体现了李浔江南诗的美学价值和意蕴.
On Li Xun's Theory of Jiangnan Poetry Aesthetics
Li Xun expressed his own feelings towards Jiangnan freely in the warm and soft embrace of Jiang-nan.With the help of the cultural archetype of Jiangnan,his poems developed natural description,humanistic expression,historical narration and folklore,which enriched the modern expression of new poetry and the cre-ation of poetic beauty.The author made full use of the affinity and aestheticization hidden in the sediments of multi-cultural context,tried to construct poetry with Wu dialect,realized the defamiliarization of poetic lan-guage thinking mode,and won the novelty and defamiliarization effect.The style of his Jiangnan poems,to a large extent,benefited from the singing techniques of the traditional Jiangnan poetry writers,such as synaes-thesia,synaesthesia and deformation,formed a style of both youthful romance and implicit simplicity,reflect-ing the aesthetic value and implication of Li Xun's Jiangnan poems.

Jiangnan poetrypoetic conceptionaesthetics

周建军

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贵州民族大学文学院,贵州贵阳 550025

江南诗 诗境 美学

2024

宜宾学院学报
宜宾学院

宜宾学院学报

CHSSCD
影响因子:0.185
ISSN:1671-5365
年,卷(期):2024.24(4)
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