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从三对概念比较王士禛神韵说与康德的判断力演绎

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在中西比较的领域中,两者对于文艺美学的认知与哲思一直是比较的热点.当前学界对于17-18世纪中西诗学的比较研究较少,该文选取了中西两名代表人物王士稹与康德,对他们的神韵说与审美判断力进行比较研究,重点分析了兴会与情感、言不尽意与审美理念、神韵天然与像自然的艺术三对概念,展示了三对概念在艺术与情感、语言的不完善性、自然美学方面存在的共性,与其在理论基调、审美路径与审美取向三个方向存在的差异,在展现中西文论各自特色的同时,找寻人类艺术普遍的规律.
A Comparative Study of WANG Shi-zhen's Divine Rhythm Statement and Kant's Deduction of Judgement
In the field of comparison between the Chinese and western literary theory,there are fewer comparative studies on Chinese and western literary theory in the 17th and 18th centuries.The paper selects Wang Shizhen and Immanuel Kant,and conducts a comparative study on their theory of divinity and critique of judgement,focusing on the analysis of the three pairs of concepts:Xing Hui and emotion,inexhaustible meaning and aesthetic con-cepts,and natural divinity and nature-like art,and sums up the main commonalities and differences between the two theories in terms of their paths of construction,so that we could find the universal laws of human art from these two concepts,while displaying the characteristics of the literary theories of the Chinese and Western.

Divine rhythm statementcritique of judgmentChinese-Western comparisontheories of literature

潘成玉、黄继刚

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汕头大学 文学院,广东 汕头 515000

神韵说 审美判断力 中西比较 诗学

广东省高等学校人文社会科学创新团队项目广东省高等学校重大项目广东省示范课程建设项目

2023WCXTD0062022WTSCX0202023SFKC030

2024

宜春学院学报
宜春学院

宜春学院学报

影响因子:0.271
ISSN:1671-380X
年,卷(期):2024.46(4)
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