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从江顺诒到王国维:近代"以境论词"审美批评趋向

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"境界"说是近代词学研究的焦点,但从江顺诒到王国维"以境论词"的审美批评变化及价值,在词学史中尚未得到足够重视.寻绎"以境论词"这一近代词学审美批评的趋向,一方面是审美思维发生转变.江氏首次明确提出"词境",把"以境论词"从传统词学风格审美,上升至统摄词学的审美批评;而王氏受西方哲学影响,又超越传统词学的审美义界.另一方面,"以境论词"的确立,促使词学审美形态的变化.从江氏词学体例的首次明确,到王氏的批评之学,超越了传统词学的审美形态.究其根源,在近代复杂的历史文化语境下,"以境论词"审美价值的多元,隐含了对外来文化冲击的不同回应.
From Jiang Shunyi to Wang Guowei:the Aesthetic Evolution of Modern "View of Ci Realm"
View of Ci realm is the focus of Ci Poetry in Modern times,but the aesthetic changes from Jiang Shunyi to Wang Guowei's"view of Ci realm"have not yet received sufficient attention.The transformation of the aesthetic paradigm of Ci Poetry in Modern times,which is based on the concept of"view of Ci realm",is partly due to a shift in aesthetic thinking.Jiang consciously changed the aesthetic style of traditional Ci poetry,and for the first time elevated the concept of"view of Ci realm"to the aesthetic ontology of governing Ci poetry;Influenced by Western philosophy,Wang transcends the aesthetic meaning of traditional Ci.On the other hand,the establishment of the concept of"view of Ci realm"has led to changes in the aesthetic form of ci studies.From the first clarification of Jiang's style of ci poetry to Wang's criticism,it transcends the aesthetic form of traditional ci poetry.The root of this phenomenon is that under the complex historical and cultural context of modern times,the diversity of aesthetic values of"view of Ci realm"implied different responses to foreign culture shock.

view of ci realmmodern ci poetry aestheticsJiang ShunyiWang Guoweicultural values

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安徽师范大学 文学院,安徽 芜湖 241002

铜陵学院 文学与艺术传媒学院,安徽 铜陵 244061

以境论词 近代词学审美 江顺诒 王国维 文化价值

2020年度安徽省哲学社会科学规划青年项目

AHSKQ2020D206

2024

伊犁师范大学学报
伊犁师范学院

伊犁师范大学学报

影响因子:0.171
ISSN:2097-0544
年,卷(期):2024.42(1)
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