首页|琴曲《离骚》的历史传承

琴曲《离骚》的历史传承

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晚唐僖宗时期的陈康士根据屈原自传体长诗《离骚》创制的同名独奏琴曲《离骚》,是史书中明确记载屈原文学作品谱入音乐的最早记录.但唐、宋、元三代曲谱已遗佚.至明初朱权的《神奇秘谱》中始见《离骚》减字谱.此后五百年间,共有37个曲谱版本刊载流传.刊传者有皇室藩王、宦官、文人、商贾平民等.新中国成立后,古琴家管平湖等打谱翻译明、清遗谱,与当时弘扬屈原之爱国主义精神遥相呼应.琴曲《离骚》自诞生至新中国成立后打谱成乐,成为文人、士人家国担当精神的象征.
Inheritance of Guqin Song of Li Sao
During the Xizong period of the late Tang Dynasty,Chen Kangshi created a Guqin song of the same name based on the long autobiographical poem Li Sao,which is the earliest record of Qu Yuan's literary works being put to music in history books.While in the Tang,Song and Yuan dynasties,the music scores have been lost.Until the early Ming Dynasty,Li Sao was found in Zhu Quan's Micaculous Secret Tablature of the.QIinn the next 500 years,37 versions of the Guqin scores were published and circulated.The publishers including royal princes,eunuchs,literati,merchants and even the populace,have taught the music orally that inspired true understanding,and passed from generation to generation.After the founding of the People's Republic of China,Guqinist Guan Pinghu melodized the Ming and Qing heritage records,which echoed the promotion of Qu Yuan's patriotism at that time.From the birth of the Guqin song of Li Sao to the melodized scores in New China,the music has its unique artistic quality,and also has a symbolic and representative tone of literati and scholars,who consciously have taken on the spirit of the country.

Guqin song of Li Saomusic versiontraditional inheritance

朱益红

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湖南理工学院 音乐学院,湖南 岳阳 414006

琴曲《离骚》 琴谱版本 传承脉络

2024

云梦学刊
湖南理工学院

云梦学刊

CHSSCD
影响因子:0.167
ISSN:1006-6365
年,卷(期):2024.45(5)