艺术当代2024,Vol.23Issue(1) :16-21.

宇宙主义与永生技术

Cosmism and the Technology of Immortality

鲍里斯·格罗伊斯 翁晨
艺术当代2024,Vol.23Issue(1) :16-21.

宇宙主义与永生技术

Cosmism and the Technology of Immortality

鲍里斯·格罗伊斯 1翁晨2
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作者信息

  • 1. 纽约大学
  • 2. 复旦大学外文系;上海当代艺术博物馆
  • 折叠

摘要

全球化使人们更加意识到自己与世界各地事件及宇宙事件的关联,如太阳活动与政治、社会生活之间的关系.20 世纪初,费多罗夫提出宇宙主义,主张通过技术和社会组织实现已故之人的复活,并对技术与历史进步之间的关系提出逆向拷问.博物馆被认作是一种"面向过去的技术",人类可以被赋予博物馆式的不朽性.不同于福柯现代国家的"生命权",费多罗夫认为国家应该克服个体的自然死亡,以达到"彻底的生命权",而艺术与政治、生命与技术、国家与博物馆的同化则是实现这种彻底性的手段.

Abstract

Globalization has made people more aware of their connection with events around the world and cosmic events,such as the relationship between solar activity and political and social life.At the beginning of the last century,Fedorov proposed cosmism,advocating the resurrection of the dead through technology and social organization,and questioning the relationship between technology and historical progress in reverse.The museum is regarded as a"technology facing the past",and human beings can be endowed with museum-like immortality.Different from Foucault's"right to life"in the modern state,Fedorov believes that the state should overcome the natural death of individuals in order to achieve the"complete right to life",while the assimilation of art and politics,life and technology,and the state and museums is means of achieving this thoroughness.

关键词

宇宙主义/博物馆/星际旅行/生命权

Key words

Cosmism/museum/interstellar travel/right to life

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出版年

2024
艺术当代

艺术当代

ISSN:
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