"社会剧场":一种艺术交往理性的构建
"Social Theater":A Rational Construction of Artistic Communication
何桂彦1
作者信息
- 1. 四川美术学院艺术人文学院;四川美术学院美术馆
- 折叠
摘要
"社会剧场",是在当下的文化情景中,特别是当代艺术在生产—传播—接受的过程中,构建的一种新型的艺术交往理性."剧场"来源于 20 世纪 60 年代的西方艺术界,也是当时最为重要的一个艺术概念.它出现于 60 年代中期,是现代主义与极少主义博弈与对抗的产物."社会剧场"希望改变艺术与社会、艺术与公众、艺术家与接受者之间那种长期断裂的状态,致力于两者的联系与沟通,并探索一种新的艺术生产与交流方式."社会剧场"是一种发现,也是对艺术生产、交往、传播机制的再讨论,其意义在于挖掘来源于社会、来源于民间、来源于大众的力量,构建一个新的艺术——社会场域,为当代艺术的发展寻找新的方向与可能.
Abstract
"Social theater"is to construct a new type of artistic communication rationality in the current cultural context,especially in the process of production-dissemination-acceptance of contemporary art."Theater"originated from the Western art world in the 1960s and was also the most important artistic concept at that time.It appeared in the mid-1960s and was the product of the game and confrontation between modernism and minimalism."Social theater"hopes to change the long-term rupture between art and society,art and the public,artists and recipients,and is committed to the connection and communication between the two,and explore a new way of artistic production and communication."Social theater"is a discovery and a re-discussion of the mechanism of artistic production,communication,and dissemination.Its significance lies in exploring the power from society,from the people,and from the masses,constructing a new art-social field,and finding new directions and possibilities for the development of contemporary art.
关键词
社会剧场/参与/共享/社会场域Key words
social theater/participation/sharing/social field引用本文复制引用
出版年
2024
NETL
NSTL
万方数据