遮蔽与重演:对于当代艺术创作中的"剧场性"特征及"空间转向"的思考
Concealment and Re-Enactment:Reflections on the"Theatricality"Characteristics and"Spatial Turn"in Contemporary Art Creation
游江1
作者信息
摘要
回望近十年的展览现场,我们看到在本土艺术创作方面出现了一些具有剧场性特征的当代艺术作品,这些作品从传统架上绘画走向了"空间",艺术家通过人、材料、空间等多种元素的结合来构造视觉艺术的剧场,其剧场性的特征一方面在作品意义生成上往往体现在作品与空间意义的叠加上,另一方面在展陈设计上突出观众的参与与互动,这使得作品最终呈现的视觉效果是戏剧化的,而其意义也体现在文化空间与艺术受众的互动过程之中.就国内当代艺术创作而言,这些具有戏剧性特征的当代艺术作品的产生源于西方戏剧艺术、当代雕塑和行为艺术的影响,另一方面也源于国内美术馆自身的发展,策展人的策展理念、当代艺术家跨界与多元的创作空间转向以及对于关系美学的思考与实践等多方面的因素,造就了一些中国当代艺术作品体现出"剧场性"的特征.
Abstract
Looking back at the exhibition scene in the past decade,we can see that some contemporary art works with theatrical characteristics have appeared in Chinese art creation.These works have moved from traditional easel painting to"space".Artists construct the theater of visual art through the combination of multiple elements such as people,materials,and space.Its theatrical characteristics are often reflected in the superposition of the meaning of the work and the meaning of space in the generation of the meaning of the work.On the other hand,the exhibition design emphasizes the participation and interaction of the audience,which makes the final visual effect of the work dramatic,and its meaning is also reflected in the interactive process between the cultural space and the art audience.As far as domestic contemporary art creation is concerned,the production of these contemporary art works with dramatic characteristics stems from the influence of Western drama art,contemporary sculpture and performance art,and on the other hand,it also stems from the development of domestic art museums themselves.The curatorial concept of curators,the cross-border and diversified creative space shift of contemporary artists,and the thinking and practice of relational aesthetics have created the"theatrical"characteristics in some Chinese contemporary art works.
关键词
当代艺术/剧场性/观众中心/空间转向Key words
contemporary art/theatricality/audience-centered/spatial turn引用本文复制引用
出版年
2024
NETL
NSTL
万方数据