首页|《阿凡达》:后工业社会的必然神话——兼论一部好电影呈现的影像世界

《阿凡达》:后工业社会的必然神话——兼论一部好电影呈现的影像世界

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电影的技术创新在科技飞速发展的今天日益引人关注.但除此之外,好电影呈现的影像世界还应该在与现实人生的关联、形而上想象界的创设与人物主体新世界的建构等方面也都有优秀的表现,詹姆斯·卡梅隆的《阿凡达》运用高新拍摄技术近乎完美地实现了这一点.影片既有对科技极度发达、资本无限扩张而人却倍感断裂与锁闭、孤独与恐惧的后工业社会生活图景的真实呈现,也有对象征着人类自由完整生命归宿的潘多拉星球的奇丽想象,还有对处在两个世界夹缝中的人物内心情感和主体身份重构的探寻.影片让人们观照人类现在所做的一切,思考将来可能发生的后果,并在电影创造的神话般的宇宙生命图景中寻找到灵魂皈依.因此,《阿凡达》成为进入高度信息化智能化时代的人们集体缅怀和反思现代性生活的价值参照,具有超越其自身文本的当代电影生产的社会学意义,它是后工业社会必然产生的神话.相比之下,《阿凡达2:水之道》这三方面的表现则相形见绌.
Avatar:Inevitable Mythology of Post-industrial Society:Discussion on the Image World Presented by a Good Film
The film's technological innovation is becoming increasingly intriguing in today's rapid develop-ment of science and technology.In addition,the image world presented by a good film should excel in the connection with realistic life,creation of metaphysical realm of imagination,and construction of a new world for the character subjects.James Cameron's Avatar accomplishes this nearly perfectly by utilizing cutting-edge filming techniques.The film not only authentically portrays a life vision of post-industrial society,where tech-nology is extremely advanced,capital is limitlessly expanding,yet people feel fragmented,locked,isolated and fearful,but it also presents the magnificent imagination of Pandora,a planet symbolizing the destination of free and complete human life.Furthermore,it explores the inner emotions and reconstruction of subject identi-ties of the characters in the crack of the two worlds.The film prompts viewers to observe all that humans have done,to reflect on the possible consequences of the future,and find the spiritual solace in the mythical pros-pect of universe life created by the film.Therefore,Avatar becomes a value reference for people entering an era of high information and intellectualization collectively reflecting and rethinking about the modern life,has a sociological significance of contemporary film production that transcends its own text,and is the mythology in-evitably arising from the post-industrial society.Avatar 2:The Way of Water is inferior by comparison in these aspects.

Avatarimage worldpost-industrial societydisjunctionreality connection

胡玉香

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北京电影学院 人文学部,北京 100088

《阿凡达》 影像世界 后工业社会 断裂 现实性关联

国家社会科学基金重大招标项目

20&ZD313

2024

鲁东大学学报(哲学社会科学版)
鲁东大学

鲁东大学学报(哲学社会科学版)

CHSSCD
影响因子:0.12
ISSN:1673-8039
年,卷(期):2024.41(2)
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