发现与重估:《田野又是青纱帐》——媒介考古学视域下对地方电影的再发现
Discovery and Reassessment:Green Fields Again—Rediscovery of Local Films from the Perspective of Media Archaeology
任艳1
作者信息
摘要
《田野又是青纱帐》诞生于1986年,是一部在电影史中未受重视的影片,但是它作为一部携带着鲜明的"东北基因"的影片,可以成为重新审视东北地域电影的一个切口:从原著话剧的创作、舞台改编再到电影的创作、上映和宣传,创作者和出品方长春电影制片厂下了很多功夫,但是在20世纪80年代的社会语境中,这部影片并没有引起足够的重视.回归历史场域,可以发现东北电影不同于一般意义上的主流电影的地方性表达.
Abstract
Green Fields Again was born in 1986,and is a film that has not been given much attention in the history of cinema.However,as a film carrying a distinct Northeastern gene,it can serve as a starting point for re-examining films in the Northeastern region:From the creation of the original play,stage adaptation,to the creation,release,and promotion of the film,the creator and producer Changchun Film Studio put a lot of effort into it.However,in the social context of the 1980s,this film did not receive sufficient attention.Retur-ning to the historical field,it can be found that the regional expression of Northeast films is different from mainstream films in the general sense.
关键词
《田野又是青纱帐》/东北电影/场域/启蒙/地方电影Key words
Green Fields Again/Northeast film/field domain/enlightenment/local film引用本文复制引用
基金项目
辽宁省教育厅科学研究经费项目(LJC201925)
出版年
2024
NETL
NSTL
万方数据